Typographic Matchmaking 02 (sneak preview)

The Typographic Matchmaking 02: Type in the City project is half way in the making. The 4th workshop (after Amsterdam, Dubai and Beirut) was held in Friesland Holland end September.
Below is a sneak preview of the type work our team is doing.

Arabic letter “Thah”.

29letters T-Shirts

I did some Arabic Vernacular T-Shirts design in my spare time.
I would appreciate your comments on them.
You would buy any? There is a style you prefer against another? or…

The number of Arabic letters that creates the Arabic script is 29.

Arabic Type-Bomb / lecture & workshop at AUS

I give a lecture on Arabic type at AUS (American University of Sharjah) on the 28th of April 2009. Design professionals and students from the UAE attended the lecture and participate in the Arabic type discussions that followed. A kufi workshop followed on the 29th and 30th of May for the seniors of AUS.

Mrs. and Mr. Kufi Monsters. ;)
Najla did the left pattern and Dina the right one.

ALWatan Headlines Arabic Typeface

AlWatan typeface is a corporate Arabic headlines typeface for Al Watan newspaper in Saudi Arabia KSA. The font is exclusive for 1 year for the newspaper starting from 2009. The brief was to create a new, young and crispy Arabic type that will appeal to young Arab readers.

The 1st Arabic font published by FontFont :: FF SeriaArabic

The first Arabic typeface in the FontFont library, Pascal Zoghbi’s design was originally called Sada, the Arabic word for “echo”. Accordingly, this face is the echo of FF Seria by Martin Majoor. FF Seria Arabic is a young crispy type based on the Nasekh style.

Baseet Type for ContempArabia

Baseet is a hybrid Neo-Naskh / Modern Kufi geometric typeface. It is a mixture of straight vertical, horizontal and diagonal pen stokes incorporated in-between curved corners and edges.

Corporate Identity Design Proposal / Beirut Art Center

The opening of Beirut Art Center is in February 2009. I have participated in the design pitch for the corporate identity for the art center. A different design approach was chosen by the comity of the center, but below is a sneak preview of what I presented to the center.

This is the corporate identity of Beirut Art Center that was proposed by 29letters.

Arabic for Univers / Corporate Arabic Type

A modern simplified Naskh style corporate type.

“Deen Tight” Arabic Hip Hop Documentary Movie

I was asked to create an Arabic Hip Hop style title for the Deen Tight Movie. The title is spelled in English but it should reflect the Arabic Square kufi style and incorporate the Hip Hop look in it.

“Bukra Extra Bold” Display type for Ibn Battuta Mall in Dubai

“Bukra Extra Bold” is an Arabic display typeface for “Ibn Battuta Mall” in Dubai. The English slogans and ads in the mall were done uses the Latin font “Futura Extra Bold”. They asked for an Arabic font that has the same feel and sturdiness as “Futura Extra bold”.

Al Rouiya Arabic Type for “Al Rouiah” Newspaper in Kuwait

Al Rouiya is a corporate Arabic titling typeface for “Al Rouiah” newspaper in Kuwait. The font is exclusive for 5 years for “Al Rouiah” newspaper in Kuwait starting from February 2008. The newspaper needed a new, young and crispy type that will appeal to young readers.

Alef Pixel Caps Type for Alef Magazine

A Drop Initial Caps typeface for Alef Magazine. Alef Caps is a pixel font inspired from the arabesque “Msharabiyé” eight-star shape. It will be first in use in the 6th issue of the magazine. The magazine asked for a Roman Drop Intial Caps type inspired from Arabic culture. I worked on this type in collaboration with Huba AbiFares.

Emarat Al Youm Newspaper

The New design of “Emarat Al Youm” newspaper in Dubai is out with its’ headlines set in “Imarat Headlines” typeface that i have created for them alongside “TheMix Arabic” which is used for the newspaper sections titles.

Happy New Year 2008

The two typefaces: 1. Arabic “Al Rouiya Headlines” and 2. Latin “Alif Arabesque Pixel” are my latest projects that i am working on at the moment. I will write more about the new typefaces when they are published.

Happy New Year and may 2008 be a fruitful and successful year to all.

Khatt Fonts Event (Art Lounge) & 29letters Lecture (AUB)

Through out November and December in Beirut, I had giving : 1. a lecture entitled “29letters” about my Arabic type project and type design process at AUB, 2. a presentation about EL HEMA project alongside the Arabic team (Wael, Kj, Maria & Raya) at NDU Zouk and NDU North, and 3. took part of the event, lecture and exhibition of the “Khatt Fonts: Matchmaking Amsterdam – Beirut” with Huda Abifares and the Arabic team.

Arabic Movable Metal Letters

Movable Metal Letters are just amazing. [Especially for type lovers like me ;)]

idpure edition on type design

The 12th issue of Idpure Swiss magazine of graphic design and visual creation was dedicated on young type designers work in the glob. I was the young Arabic type design interviewed for the 12th issue of the magazine alongside Nikola Djurek, Kai Bernau, Anton Koovit, Christian Schwartz, Frederik Berlaen, Xavier Dupré.

Snap shot of two spread from my section in the magazine.

Imarat Headlines Arabic Type

Imarat is an Arabic newspaper type family consisting of “Imarat Headlines” & “Imarat Text”. “Imarat Headlines” is a display type for use in the headlines and titling of a newspaper, while “Imarat Text” is for the copy text of the newspaper. “Imarat Headlines” will be exclusive for 3 years for “Emarat Al Youm” newspaper in Dubai starting from 2008. The newspaper needed a new, young and crispy headlines type that will appeal to their young readers. You can see the font in use on the online e-paper version of “Emarat Al Youm” newspaper.

TheMix Arabic

TheMix Arabic is one of the five new Arabic typefaces that was included in the Typographic Matchmaking Project organized by the Khatt Foundation. Lucas de Groot and Mouneer Al-Shaarani initially designed TheMix Arabic, but when the type needed to be finalized and transformed into a proper Arabic type, I was asked by Huda AbiFares to undertake the font from this point on since Mouneer is a calligrapher and not an Arabic type designer, and Lucas does not know the Arabic script.

EL HEMA at Mediamatic, Amsterdam.

August was a great experience for five young Arabic graphic designers (fresh graduates) from the Arab world and I. The 24th of August was the “Khatt Kufi Kaffiya” symposium on Arabic Visual Culture, the official launching of the Khatt Foundation website and the launching and book signing of the Typographic Matchmaking book. Alongside these events, Mediamatic initiated an exhibition to team up Arabic typographers with Dutch design and culture. The exhibition was to create an Arabic version of the famous HEMA Dutch stores.

Design of the White Scarf by Kj using Sada Bold. The text on it is the lyrics or the song “YA Maré’ 3al Taya7een” for Fairuz.

Wael, Kj, Maria, Ray, Abi (the 5 young Arabic graphic designers) and I were invited by Mediamatic to come to Amsterdam for 6 weeks before the opening of the EL HEMA exhibition to work on the making of this exhibition.

Arabic Glyphs Proportions and Guidlines

The following article is a brief description of systems and guidelines used in Arabic calligraphy and Arabic type design field to achieve proportional and harmonious Arabic letters. This article is intended for typography students and beginners in Arabic type design.

History of Arabic Type Evolution from the 1930’s till present.

1. BRIEF HISTORY OF THE TRADITIONAL ARABIC TYPE.
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1.1 The origin of the Arabic script goes back to the first alphabets which were created by the Phoenicians. The Phoenicians were living on the costal area of Lebanon, Palestine and Syria. Since the Phoenicians were business traders sailing the Mediterranean, the alphabet influenced all the Mediterranean nations. The location of the middle-east being in the center of the ancient world (between the east and the west) also played a part in the spreading of the alphabet. So that is why the Phoenician alphabet is the mother of the Latin as well as the Arabic script.

Generating Arabic fonts

Developing and generating Arabic fonts is not as easy and straightforward as for Latin fonts.This article will cover Encoding, Glyph and Font naming, OpenType features and other topics concerning the preparation of an Arabic font before generating it.

Typographic Matchmaking: Arabic type with a Dutch flavor.

The long awaited ‘Typographic Matchmaking’ Book will be launched at a symposium and exhibition at Mediamatic in Amsterdam on the 24th of August 2007.

The following text is written by Huda Smitshuijzen AbiFarès:

The project began with the idea of creating Arabic type with a Dutch flavor in order to bring the high quality of Dutch type design to the rather underdeveloped Arabic design tradition.

Superpolator ME ;)

Superpolator is the tool for interpolating on multiple axes with several masters while enjoying the animated instances and visually choosing your interpolated type.

Erik van Blokland introduces this superb software that helps type designer create their type families with ease and fun.