Beirut! 3alal Yameen.

“Beirut! 3alal Yameen” (Beirut! Stop on the right) is a self-initiated poster on representing Beirut in few items and words. The poster will be exhibited in the Icograda World Design Congress 2009 in Bejing.

29letters T-Shirts

I did some Arabic Vernacular T-Shirts design in my spare time.
I would appreciate your comments on them.
You would buy any? There is a style you prefer against another? or…

The number of Arabic letters that creates the Arabic script is 29.

ALWatan Headlines Arabic Typeface

AlWatan typeface is a corporate Arabic headlines typeface for Al Watan newspaper in Saudi Arabia KSA. The font is exclusive for 1 year for the newspaper starting from 2009. The brief was to create a new, young and crispy Arabic type that will appeal to young Arab readers.

The 1st Arabic font published by FontFont :: FF SeriaArabic

The first Arabic typeface in the FontFont library, Pascal Zoghbi’s design was originally called Sada, the Arabic word for “echo”. Accordingly, this face is the echo of FF Seria by Martin Majoor. FF Seria Arabic is a young crispy type based on the Nasekh style.

Baseet Type for ContempArabia

Baseet is a hybrid Neo-Naskh / Modern Kufi geometric typeface. It is a mixture of straight vertical, horizontal and diagonal pen stokes incorporated in-between curved corners and edges.

The First Arabic Script Printing Press in Lebanon

“Al-Shamas Abdullah Zakher” founded the first Arabic printing press in Lebanon in 1734. The press is located in “Deir Mar Youhana” in “Khinshara”. The printing press operated from 1734 till1899. It was the first Arabic script printing press in Lebanon, but it was the second printing press in general since in 1610 the first Syriac Script printing press was established in “Deir Mar Antonious” in “Quzhayya” near the valley of the saints in the North of Lebanon. The printing press of “Deir Mar Antonious” was the first printing press in the Middle East.

Corporate Identity Design Proposal / Beirut Art Center

The opening of Beirut Art Center is in February 2009. I have participated in the design pitch for the corporate identity for the art center. A different design approach was chosen by the comity of the center, but below is a sneak preview of what I presented to the center.

This is the corporate identity of Beirut Art Center that was proposed by 29letters.

Bombing Beirut – Arabic Graffiti Workshop

On the 4th, 5th and 6th of November I took part of an Arabic graffiti workshop which was given by the German graffiti artist Mr. Don Karl. It was great to finally meet up with Lebanese graffiti artist and get to know the people behind the graffiti and tags in Beirut.

Lebanese Graffiti 02

After last year’s post of Lebanese Graffiti in 2007, the streets of Beirut were filled even more with new lebanese arabic graffiti. Below are some of the nice graffiti tags in the “Karantina” & “Gemeyzé” regions in Beirut.

My Mulsaq Project Entry “Ma7rousa ya 3arousa”

Ma7rousa ya 3arousa entry in the Mulsaq Project.
Cargo trucks in Lebanon and the Middle East are usually painted with Arabic calligraphy using vernacular Arabic words. The Arabic word “mahrousa” is literarily painted on every cargo truck in Lebanon mostly on the back of the trunk or above the back wheels.

Square Kufi Cross

Square Kufi patterns are often used in mosques for Qur’anic verses or Islamic sayings. It is very rare to see square kufi patterns created out of Christian bible verses or Christian sayings…

Hybrid Arabic/Latin workshop

A small workshop in the “Type Design” course at NDU involving the creation of hybrid Latin words using basic letter components from Arabic letter-forms. English and French words created from Arabic letters.

Al Rouiya Arabic Type for “Al Rouiah” Newspaper in Kuwait

Al Rouiya is a corporate Arabic titling typeface for “Al Rouiah” newspaper in Kuwait. The font is exclusive for 5 years for “Al Rouiah” newspaper in Kuwait starting from February 2008. The newspaper needed a new, young and crispy type that will appeal to young readers.

Alef Pixel Caps Type for Alef Magazine

A Drop Initial Caps typeface for Alef Magazine. Alef Caps is a pixel font inspired from the arabesque “Msharabiyé” eight-star shape. It will be first in use in the 6th issue of the magazine. The magazine asked for a Roman Drop Intial Caps type inspired from Arabic culture. I worked on this type in collaboration with Huba AbiFares.

Happy New Year 2008

The two typefaces: 1. Arabic “Al Rouiya Headlines” and 2. Latin “Alif Arabesque Pixel” are my latest projects that i am working on at the moment. I will write more about the new typefaces when they are published.

Happy New Year and may 2008 be a fruitful and successful year to all.

Khatt Fonts Event (Art Lounge) & 29letters Lecture (AUB)

Through out November and December in Beirut, I had giving : 1. a lecture entitled “29letters” about my Arabic type project and type design process at AUB, 2. a presentation about EL HEMA project alongside the Arabic team (Wael, Kj, Maria & Raya) at NDU Zouk and NDU North, and 3. took part of the event, lecture and exhibition of the “Khatt Fonts: Matchmaking Amsterdam – Beirut” with Huda Abifares and the Arabic team.

Arabic Movable Metal Letters

Movable Metal Letters are just amazing. [Especially for type lovers like me ;)]

idpure edition on type design

The 12th issue of Idpure Swiss magazine of graphic design and visual creation was dedicated on young type designers work in the glob. I was the young Arabic type design interviewed for the 12th issue of the magazine alongside Nikola Djurek, Kai Bernau, Anton Koovit, Christian Schwartz, Frederik Berlaen, Xavier Dupré.

Snap shot of two spread from my section in the magazine.

Imarat Headlines Arabic Type

Imarat is an Arabic newspaper type family consisting of “Imarat Headlines” & “Imarat Text”. “Imarat Headlines” is a display type for use in the headlines and titling of a newspaper, while “Imarat Text” is for the copy text of the newspaper. “Imarat Headlines” will be exclusive for 3 years for “Emarat Al Youm” newspaper in Dubai starting from 2008. The newspaper needed a new, young and crispy headlines type that will appeal to their young readers. You can see the font in use on the online e-paper version of “Emarat Al Youm” newspaper.

TheMix Arabic

TheMix Arabic is one of the five new Arabic typefaces that was included in the Typographic Matchmaking Project organized by the Khatt Foundation. Lucas de Groot and Mouneer Al-Shaarani initially designed TheMix Arabic, but when the type needed to be finalized and transformed into a proper Arabic type, I was asked by Huda AbiFares to undertake the font from this point on since Mouneer is a calligrapher and not an Arabic type designer, and Lucas does not know the Arabic script.

Culture Exchange Graffiti / Beirut-Berlin

I was contacted by Don R. Kari after he saw the Lebanese Graffiti post on my blog. Don Kari is a german graffiti artist. He and his german graffiti colleagues initiated a project in Cuba and now they want to do the project in Beirut. You can have a look on the graffiti project in Cuba at the following link: CubaBrazil

EL HEMA at Mediamatic, Amsterdam.

August was a great experience for five young Arabic graphic designers (fresh graduates) from the Arab world and I. The 24th of August was the “Khatt Kufi Kaffiya” symposium on Arabic Visual Culture, the official launching of the Khatt Foundation website and the launching and book signing of the Typographic Matchmaking book. Alongside these events, Mediamatic initiated an exhibition to team up Arabic typographers with Dutch design and culture. The exhibition was to create an Arabic version of the famous HEMA Dutch stores.

Design of the White Scarf by Kj using Sada Bold. The text on it is the lyrics or the song “YA Maré’ 3al Taya7een” for Fairuz.

Wael, Kj, Maria, Ray, Abi (the 5 young Arabic graphic designers) and I were invited by Mediamatic to come to Amsterdam for 6 weeks before the opening of the EL HEMA exhibition to work on the making of this exhibition.

Arabic Glyphs Proportions and Guidlines

The following article is a brief description of systems and guidelines used in Arabic calligraphy and Arabic type design field to achieve proportional and harmonious Arabic letters. This article is intended for typography students and beginners in Arabic type design.

History of Arabic Type Evolution from the 1930’s till present.

1. BRIEF HISTORY OF THE TRADITIONAL ARABIC TYPE.
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1.1 The origin of the Arabic script goes back to the first alphabets which were created by the Phoenicians. The Phoenicians were living on the costal area of Lebanon, Palestine and Syria. Since the Phoenicians were business traders sailing the Mediterranean, the alphabet influenced all the Mediterranean nations. The location of the middle-east being in the center of the ancient world (between the east and the west) also played a part in the spreading of the alphabet. So that is why the Phoenician alphabet is the mother of the Latin as well as the Arabic script.

Lebanese Graffiti

(for more Artistic lebanese Graffiti, you can also link to the new posts Bombing Beirut and Lebanese graffiti 02 of the new tags that were drawn in 2008 after this post was written.)

Nearly all of the graffiti in Lebanon over the past years were either 1. political words & sentences or 2. signage for shops or places. However, last week I was driving to Beirut and I have spotted a new graffiti that did not have either a political connotation to any political party or it was a signage for a shop. It is a pure social graffiti done by young Lebanese groups to express their feelings about Beirut.